@Domenique Guglielmo 2021
Rita Elvira Adamo is born in Calabria and lives betwen Nduja and Fish and Chips.
She recently completed her PhD in Architecture and Territory, entitled “Experimentation for public action: a diverse dimension in architecture”, and she is an associate lecturer at the London Metropolitan University.
In 2016 co-founded La Rivoluzione delle Seppie, a hyper-collective of nomadic, international and creative professionals based in Belmonte Calabro (CS). The group's main objective is the cultural reactivation of rural marginal areas to experiment with different methods of living and working collectively, mainly through non-formal education programs.
She worked as an intern at Norman Foster’s studio in London and as a junior architect at Santiago Calatrava’s studio in Zurich.
Rita also has gained experience in the curatorial field; in particular, she curated the exhibition “Invisible Architecture. Italian and Japanese architectural movements of the 60s and 70s and the contemporary debate” (2017) at the Museo Bilotti in Villa Borghese (Rome) and “School / Work. Architectural Conversations Between Education and Practice” at the Bank Gallery in London (2017).
She recently completed her PhD in Architecture and Territory, entitled “Experimentation for public action: a diverse dimension in architecture”, and she is an associate lecturer at the London Metropolitan University.
In 2016 co-founded La Rivoluzione delle Seppie, a hyper-collective of nomadic, international and creative professionals based in Belmonte Calabro (CS). The group's main objective is the cultural reactivation of rural marginal areas to experiment with different methods of living and working collectively, mainly through non-formal education programs.
She worked as an intern at Norman Foster’s studio in London and as a junior architect at Santiago Calatrava’s studio in Zurich.
Rita also has gained experience in the curatorial field; in particular, she curated the exhibition “Invisible Architecture. Italian and Japanese architectural movements of the 60s and 70s and the contemporary debate” (2017) at the Museo Bilotti in Villa Borghese (Rome) and “School / Work. Architectural Conversations Between Education and Practice” at the Bank Gallery in London (2017).